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To start, I wonder if there is a sense in which love. abz is also an experiment in performance; in other words, is there an implicit theory or conception of performance that is enacted by the work. Also, in the beginning the technique I used for composing the piece was more or less laughable: anything that I didnt feel comfortable with I simply rejected.

(No doubt this had to do with the stressful experiences I alluded to above. For me, this meant putting actual writing processes on display; something that would have been far more difficult had I tried to carry out the original idea of no human performers, just projected text and synthetic voices.